Illustrator Scott Campbell April 9, 2011Posted by leskanturek in Artists, Student Blog posts, Student Post, Uncategorized.
Tags: Scott Campbell illustrations, Vania Wat
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Post by Vania Wat
Scott Campbell graduated from the Academy of Art University in San Francisco with a BFA in illustration with a focus on comics and children’s illustration in 1992. He began his career at Lucas Learning as a concepts artist for children’s video games. Over the years, he has worked as Art Director for Double Fine productions, published numerous comics and children’s books, and exhibited at galleries. He is most known for his nostalgic watercolor paintings and scraggily drawing aesthetic.
(above) From Campbell’s book “Zombie in Love” by Kelly DiPucchio (2011)
One of Campbell’s most recent endeavors is his GREAT SHOWDOWNS project in which he illustrates famous scenes in movies. He is very successful in choosing a scene in a movie and rendering it in his carefree , cute style while preserving key elements and spirit of the movie. It has received great popularity, as viewers often have fun guessing what movies are depicted.
Scott Campbell has received an Honorable Mention (2009) and Silver Medal (2005) for Dear Ship’s Log and Igloo Head and Tree Head, respectively. He has also received an Ignatz nomination for Best New Talent as well as numerous art direction awards for Psychonauts, a children’s computer game by Double Fine Productions.
Lars Lerin – A Master of Light in Watercolor March 9, 2011Posted by leskanturek in Student Blog posts, Student Post, Uncategorized.
Tags: Lars Lerin, Linnea Gad, Swedish art, Watercolor
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Post by Linnea Gad
Lars Lerin, born in 1954, is one of Sweden’s most respected artist and writer. Yet most people might not recognize his name in the United States. Lerin works primarily in watercolor on large sheets of paper, sometimes in a collage style, occasionally integrating his writing on his paintings. He is an watercolor painter tied to a tradition of north European landscape painting. His body of work is both partly travel documentation based on his trips to Arktis, Antarctic, Iceland, India, the middle east, Scotland to name a few, and partly autobiographical landscapes from his childhood and emotional life.
But no matter where in time or space he is does he capture the light and the darks like a master painter. In Lerin’s painting it is the misty air, the darkness and the shadows that dominates. Paintings from the coast of Norway embodies the crisp Scandinavian light while paintings from India are filled with a warm polluted light.
The relationship of the light and the darkness is rendered so carefully and precisely that it transcends the painting. The wet ground reflects as mirror and sky hangs heavy over the building. One can sense the dampness of a fish factory, the dirty heat of a village in India or the ice-cold winter night depicted with a snow-covered ground and a black sky in the north of Sweden.
Lerin posses a talent for turning a depressing, grey, residential house in a deserted suburb, or piles of fish guts into the most delicate and precious things. Just like the 17th century landscape painters who found beauty in nature or the view overlooking a city with a domestic church in its centre, Lerin finds beauty in more unconventional subjects like collapsing shanty towns or a roadside gas station.
To see more of his work visit his website http://www.laxholmen.org/text1_5.html All of the above work is from Lars Lerin.
Motion in Art February 7, 2011Posted by leskanturek in Art History, Student Blog posts, Student Post, Uncategorized.
Tags: Leigh Cunningham, Motion in art, Nude descending a staircase
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Post by Leigh Cunningham
The concept of motion has been explored throughout history in the work of artists. Depicting motion in art spans the range of two and three-dimensional pieces, and covers a broad spectrum of cultures and purposes. While traditional art works (drawings, paintings, sculptures and photographs) served only to capture a single moment in time, numerous artists have challenged these restrictions and ventured to convey a sense of movement, or a suggestion of motion over a longer interval of time. One of the early artists to explore motion and a main sources for contemporary artists interested in motion is the work of Eadweard Muybridge (1830-1904). Branching off of genuine intrigue and exploratory research, Muybridge began photographing animals in motion, and by1878 he had done a series of photographs capturing a horse galloping, thus providing accurate reference for illustrators of the time.
(above) stills from Muybridge’s series, “The Horse in Motion”
Similarly, French artist Marcel Duchamp tackles the concept of motion through cubism, using fractured parts of what would seemingly be a sequence of images to show a figure in motion.
Motion has also been handled in sculpture, perhaps the most prominent being the works created during the Italian Futurist movement. Italian futurism was about glorifying speed and in some cases, the brutality of war, while also declaring a new way of life during a time saturated in new technologies.
Umberto Boccioni’s futurist bronze sculpture incorporates the idea of motion into a deeper connection between the subject and it’s relation to the space around it. His sculpture serves as a tangible work of art that relates every being to its surroundings.
Contemporary painter, Gerhard Richter appropriated the idea behind Duchamp’s Nude Descending A Staircase and painted Woman Descending the Staircase, as well as Nude on a Staircase. In both paintings, the subject is painted in a naturalistic way, giving a completely opposite feel to the original iconic painting of Duchamp. While the viewer still does not see every step, a feeling of unrest exists in the piece, suggesting that she(the subject) is not a static element, but rather a component of the scene in its entirety.
(above left) Ema/Nude on a Staircase (Ema/Akt auf einer Treppe) (above right) Woman Descending the Staircase (Frau, die Treppe herabgehend) www.gerhard-richter.com/
Pop-Up Assignment Gallery May 26, 2010Posted by leskanturek in 3-D work, Books, Class Assignments, Handmade, Movable Illustration, Pop-Up, Student work, Uncategorized.
Tags: Movable Illustration, Pop-Up workshop, Student work
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they could incorporate any paper engineering technique they learned at the work shop or that they could devise. The only criteria was that the pop-up actually fold flat and it must be able to open multiple times. Below are the finishes :
Pinocchio…”I’ll be back” May 11, 2009Posted by leskanturek in Comics, Graphic Novels, Pinocchio, Puppets, Summer Reading Project, Uncategorized, Visually Cool & Relevant.
Tags: Pinocchio, Vincent Parannaud, Winshluss
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Like the Terminator he seems to reference, Pinocchio is back, this time channeled through well known French comix artist Winshluss. His retelling of the classic children’s story was awarded the Fauve d’or (best comic book prize/ Gold Fauvre) at the 37th Angoulême International Comics Festival in France this year. Winshluss, is the pen name of Vincent Parannaud who might also be familiar to some as co-director with Marjane Satrapi on her animated film Persepolis.
Winshluss has created a wonderfully dark, comic noir interpretation of Carlo Collodi’s classic children’s story. The artwork is primarily done in pen and ink, and watercolor but switches to paint for larger splash panels. He references a terrific range of illustrative styles and history in the story from late 18th century pen and ink, to early French film pioneer Georges Méliès , through early Disney (don’t ask what indignities Snow White endures within these pages), and underground comix.
Disney’s 1940 animated Pinoccho seems to have become the definitive version here in the U.S., Winshluss work is much closer to Collodi than Disney in spirit. Like Collodi’s originally serialized story of the wooden marionette, Winshluss updated version was first published as serialized chapters in Ferraille Illustré, a French comics journal. Winshluss’ graphic novel is an adult noir movie that at times is both comedy and tragedy. The narrative begins with a shooting, and then flashes back to Pinocchio’s creation (he is now a robot like android) and his subsequent adventures. Collodi’s original story, which is also darker (Pinocchio is hung, Jiminy Cricket is killed…) than Disney’s version and was first intended as an adult story. Both versions portray Pinocchio going from one manipulative situation to another. Winshluss has also injected politics into his story which also played a part in Collodi’s original.
The Angoulême site described the book as an “Opera”, which it is in it’s visual lushness and drama. For the most part the book is wordless, with multiple character’s points of view all adding to the sum of Pinocchio’s story. Jiminy Cafard (Cafard translates as cockaroach as well as hypocrite and a feeling of severe depression), Pinochio’s companion provides the most talking in the book which seems appropriate, and provides comic relief.
Most of his appearances are rendered in black and white. As of now Winshluss’ Pinocchio is only available in French (which won’t stop you from enjoying it even if you’re not a French speaker) and through overseas online merchants . Hopefully it will be distributed in the states in the near future.
All images © Winshluss and or Les Requins Marteaux
Boak Who? May 2, 2009Posted by leskanturek in Student Post, Uncategorized.
Tags: Dick Boak, Martin Guitars art, pen and ink, Victoria Salvador
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By Victoria Salvador
Dick Boak is a long time guitar builder who works for Martin Guitars. He’s currently the director of ‘Martin Guitar Artist and Limited Editions’, which is a series of beautifully crafted instruments that are uniquely made through collaborations. He is better known and famous for working for Martin Guitars, finding artwork of his from the 70s was not easy. I know of Dick Boak because I sit in front of his lithograph everyday at my desk, and yet- I have never chose to really explore his work. His pen and ink drawings as well as his lithographs are impressive, imaginative, and extremely detailed.
(Above) Elephants, 1976
Reading through an interview I found in Modern Guitars Magazine with Boak, I found out that graphic art was his original profession:
Modern Guitars Magazine: Life before Martin Guitar?
Dick Boak: I started out as an illustrator and art teacher. One of the teachers at the Blair Academy, a private school that has about 400 students, up in New Jersey, was having some difficulty reaching the right rapport with his students. They weren’t responding. He asked me to work with him in order to connect with the students better and that lasted for about two years.
* In the interview, Boak speaks about getting hired with Martin, was let go, and then asked to come back. He began illustrating again in his free time.
MGM: You returned…
DB: The guy who fired me kept it a bit of a secret. Fortunately, when everyone found out about it, they wanted me back. Frank Martin, his father “Mr. Martin” and his grandson Chris (Christian Frederick Martin IV) and the guys in the production shop didn’t know I’d been fired. While I was “on sabbatical”, I worked on an illustration of a D-28 and eventually published it. My artistic interest or specialty is to make very detailed, highly intricate drawings through a method artists call pointillism. I thought of it as hippie art, sort of San Francisco art nouveau.
Anyway, I was hired back during the strike and worked final assembly, and through the years I’ve worked in a lot of different areas at Martin, learning from the ground up.
(Above) D-28, 1977
Boak’s illustrations are distinctive in style and visually delicate. His line work is hair-line fine, and his use of pointillism is a complimentary contrast to his flat white backgrounds he employs. Looking over his work, I see a strong resemblance to M, C . Escher’s work, even if this was unintentional. His subject matter, symmetry, and attraction to illusions gives me this impression.
(Above left) Wheel Of Balance, 1974 by Dick Boak (Above right) Angels and Devils By M.C. Escher
(Above) The Vine of Harmonics designed by Boak. Ivory inlay on a 12-string Cutaway Martin. The harmonic locations of the strings on the frets are marked by the vine pattern
The Lexicon of Comicana September 3, 2008Posted by leskanturek in Books, Comics, Uncategorized.
Tags: Grawlixes, Lexicon, Mort Walker
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Did you know there are names for all those shorthand marks that cartoonists employ to show say motion in an object or person, or the misc. symbols that convey a character is cursing up a blue streak?
Cartoonist Mort Walker who draws Beetle Baily, and Hi and Lois among other strips, has also published a lexicon that attaches names to all the visual symbols that cartoonists employ to indicate motion or dizzyness, to name a few.
The misc. type characters that are used to denote a character spewing curses are called Grawlixes according to Mort. So, read the lexicon, impress your professors, and come off as the erudite art scholar you knew you always were.
Pimp My Drawing July 22, 2008Posted by leskanturek in In class assignments, Pimp my drawing, Student work, Uncategorized.
Tags: Buck Marshall, Class mural, pimp my drawing
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Each year I hold a “Pimp My Drawing” session which usually is a lot of fun and lets off some academic steam while transforming your original drawing into something …else. It’s always interesting to see what happens. Each year really approaches it differently. Sometimes it’s a very orderly affair, and other times a chaotic free-for-all. The parameters are that it be done with in the 2 hrs and 40 minutes of class time. A not so easy accomplishment.
The mural done in the spring 2008 class was titled “Buck Marshall: Range Detective” and was based on a 1930’s comic strip. It was starting to feel like a narrative, with some nice depth and space developing.