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Jeremy Geddes May 9, 2011

Posted by leskanturek in Artists, Student Blog posts, Student Post, Surreal.
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Post by Taylor Grant

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Jeremy Geddes is a working illustrator in Melbourne, Australia.  Beginning his career as a video game artist and art director, Geddes made a name for himself in the world of comics, game art and graphic novels. Having studied painting in the 90’s, Jeremy became a master of oils and turned to a career as a full time painter in 2003. His paintings exhibit an amazing capacity for rendering,with rich tones, extreme detail and a carefully considered composition. In order to achieve such refined finishes, Geddes starts with a preliminary painting which allow him to work out the composition, color and tone before starting on the finish.  From there, the painting is drawn out using washes of color to prep the canvas.  Finally, the painting is completed and then an additional level of glazes is added to enhance the depth of colors and texture.

(above)  The Cafe, right- details

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A combination of conceptual planning and technical ability makes Geddes’ pieces incredibly compelling.  The extreme photorealism of his rendering creates scenes that are completely believable, despite the surrealist elements. This idea is exemplified in Heat Death which features an astronaut floating weightlessly in an urban setting. Though his gravity defying pose is impossible, the figure and setting are both recognizable and realistic. I think this juxtaposition heightens the surrealism because I read the scene as a photograph, making it disconcerting because I know it could not actually occur.

(above)  Heat Death

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The same eerie discontentment is seen in Cluster. but unlike other works by Geddes, this piece is not in a setting but instead uses the negative space to add to the surrealism. the figures are intertwined to create an uncomfortable cluster in the center of the page. Their limbs are entangled but the weight of the form is limp.  The discomfort of their pose is haunting, which is again heightened by the believability of the rendering .

(above) The Cluster

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Jeremy Geddes continues to illustrate graphic novels, commissioned paintings and his own personally conceptualized work. You can view more of his paintings at: www.jeremygeddesart.com


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Illustrator Scott Campbell April 9, 2011

Posted by leskanturek in Artists, Student Blog posts, Student Post, Uncategorized.
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Post by Vania Wat

Scott Campbell graduated from the Academy of Art University in San Francisco with a BFA in illustration with a focus on comics and children’s illustration in 1992. He began his career at Lucas Learning as a concepts artist for children’s video games. Over the years, he has worked as Art Director for Double Fine productions, published numerous comics and children’s books, and exhibited at galleries. He is most known for his nostalgic watercolor paintings and scraggily drawing aesthetic.

(above) From Campbell’s book “Zombie in Love” by Kelly DiPucchio (2011)

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One of Campbell’s most recent endeavors is his GREAT SHOWDOWNS project in which he illustrates famous scenes in movies. He is very successful in choosing a scene in a movie and rendering it in his carefree , cute style while preserving key elements and spirit of the movie. It has received great popularity, as viewers often have fun guessing what movies are depicted.


(above) From Great Showdowns…Take a guess at what movies they are

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Scott Campbell has received an Honorable Mention (2009) and Silver Medal (2005) for Dear Ship’s Log and Igloo Head and Tree Head, respectively. He has also received an Ignatz nomination for Best New Talent as well as numerous art direction awards for Psychonauts, a children’s computer game by Double Fine Productions.

(above) Paper Boy 1884

More of Scotts work can be seen at http://www.pyramidcar.com/ and Scott will be at MoCCA this weekend.

Jerry Marks Class Visit-IN 3-D! March 3, 2011

Posted by leskanturek in 3-D work, Anaglyph 3-D, Artists, Guest Visits, Subway/MTA Proposal, Visually Cool & Relevant.
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On his website, Jerry Marks is described as an “artist working along the border were art and science join…”   which is a good description of what you see when you enter his studio.  Part art studio, part laboratory of perception with maybe a little mad scientist thrown in (maybe a lot)  Jerry has been exploring the atistic applications of 3-D for a number of years. It’s really his passion and it comes through when he shows stereo images from the 19th century or a contemporary 3-D image experiment. Jerry’s work can be seen in books, music videos for the Rolling Stones, The 28th St. subway station, The New York Hall of Science , and theatre sets to name a few of the many projects he’s worked on . He is a accomplished 3-D silk screen printmaker, a teacher for many, many years , musican and has 3-D-ified everything from Bulwinkle to views of Venus.

At Jerry’s  Feb. 14th class visit to our concepts class he presented some wonderful 3-D eye candy,  a  powerpoint show of anaglyph photography and comics by  
Kim Deitch (It’s 4D!
) Bob Sikoryak (The Lost Treasure of the 3D!) , and Micheal Kupperman (Hercules vs. Zeus)


space(above) a 3-D panel from comic book artist Kim Deitch’s “It’s 4-D”.  Adapted for 3-D projection by Jerry.

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(above) “The lost treasure of the 3D”  art by by Bob Sikoryak

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(above top) An early virtual reality construction of the  mural at the 28th st. subway .  (directly above) ” 7 waves 4 twenty eight” the mural is built into glass blocks in which the curvature of the glass inside the block forms cylindrical lenses. ” Marks plans to use the lenticular (lens-like) properties of the block along with the appropriate lights, projectors, lenses, filters, in the space behind the wall to create a 3-D illusion art display. The mural will appear to move as you ride into the station”.

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After the powerpoint presentation Jerry took some time to describe the process of creating an anaglyph image in photoshop. In the next week or two they’re be a follow up post with the finished 3-D images done by the class.

Stephanie Wunderlich-Class Visit November 28, 2010

Posted by leskanturek in Artists, Comics, Guest Visits, Handmade, Theatre.
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(above) Stephanie in class during her powerpoint presentation of her work.

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On Monday Nov. 8th German editorial illustrator Stephanie Wunderlich graciously came in to room 802 to speak, share her experiences,  and show some of her work to all four of the Soph. concepts classes.    Stephanie has clients both in the United States and Europe, which made for an interesting in-class discussion on the differences in art direction between the two.  Her illustration process involves  cutting and collaging paper and though Stephanie has worked all digitally at points in her career, the excitment of  traditional hand cut paper  is still the most attractive for her.

(above) The cover of  Spring #7   (right) a shot of Stephanie’s board in her studio.

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Stephanie is a regular contributor and collaborator for  Spring, a collective graphic magazine/comic published annually in Hamburg which  has contributions all by women. A few issues of this inspiring, 200 page. plus, illustrative, graphic experience  were passed around during Stephanie’s presentation.

(above) sing issues of Spring. below that is the June 08 issue of Spring /Alter Ego

(above) Stephanie holding a pop up book she designed and constructed to be used in the Play – Warum das Kind in der Polenta kocht (Why the child cooks in the Polenta) – for the theatre Schausspielhaus Hamburg.  Additional pop-up spreads are on the right.

Stephanie also discussed the process behind creating illustrations/props that were used in a play in Germany. Theater  there  is subsidized    by the government and Stephanie explained that this subsidy facilitated experimental theatre.

Danke für Ihren Besuch Stephanie! (Thank you for visiting)

Jon Vermilyea Spills His Guts: Class Visit October 4, 2010

Posted by leskanturek in Artists, Comics, Guest Visits, Narrative, Printmaking.
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Monday, Sept. 27th  Illustrator-self publisher-silk screener Jon Vermilyea came to class to show his work, talk about his influences, his process and to offer advice.  Our class was joined by Peter Hamlin’s concepts class and Veronica Lawlor’s drawing in motion class along with other visitors, so  a good crowd were present.  Jon brought a variety of his work and started right off with some tee shirt designs.

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A few  books Jon worked on were passed around and Jon spoke about connections he made in school and how that lead to self publishing. Jon attended SVA for cartooning. He also talked about the importance of school as a place to experiment and try different ways of working without the fear of failure.  Embracing opportunity seemed to be a theme of Jon’s presentation.

The fact that he self-published, created an animation music video  for Animal Collective (http://vimeo.com/2616231) silkscreened prints and has a tee shirt line among more traditional work like comics is fairly signifigant and one of the reasons I asked Jon to stop by.  Jon generates his own projects and I think does so with a lot of integrity .

(above) Jon walks us through his Venom cover redo.

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(above) The Animal Collective box set illustrated by Jon designed by Rob Carmichael

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(above) Jon explaining color choices on the Mothman screenprint for the Giant Robot (San Francisco) show One Hundred Beasts that ran for the book Beasts! Book 2 published by Fantagraphics.

Thanks again for stopping by Jon it was great.  Here is a link to Jon’s site www.jonvermilyea.com/

Jon Vermilyea Class Visit September 22, 2010

Posted by leskanturek in Artists, Comics, Guest Visits, Visually Cool & Relevant.
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Here is a link to Jon’s web site to see more of his work-   http://www.jonvermilyea.com/

Teen Liu-Pop-Up Workshop April 4, 2010

Posted by leskanturek in 3-D work, Books, Guest Visits, Handmade, Movable Illustration, Pop-Up.
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March 22nd  paper engineer, illustrator, and designer Teen Liu came into class to discuss her work, pop-up books and to conduct a paper engineering/pop-up workshop. Teen has worked with  pop-up artist Robert Sabuda and Matthew Reinhart, The Museum of Modern Art, editorial pieces, and fine art life size gallery installations (24 foot high pop-ups!).

You might also have seen some of her designs and paper engineering  she has worked on including Star Wars: A pop-up guide to the Galaxy (check out the LED light sabres and a very cool Darth Vader), The Tomie de Paola’s pop- book Streganona, the Chronicles of Narnia pop-up book, or the cards and ornaments she has designed for MoMA.

Teen got down to business fast, and before you knew it scissors and paper was flying.

(above left) Teen demonstrating a fold  (right) Josey and Grace cutting away

Before     and    after

After going over some basic folds and cuts  ie: a V fold mouth, and a layer pop-up we quickly got into something a bit more complicated a turtle with movable legs.  Teen had given out a link to pop-up instructionals  on Robert Sabuda‘s  site which has a section called  Simple Pop-Ups You Can Make! which has step-by step tutorials, though of course it’s not the same as having an engineer in the room trouble shooting why your turtle is dying a slow pop-up death.

(above) left Ciara , right Teen working with John on his turtle.

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After the workshop Teen spoke about various pop-up project and the process of taking a pop-up from concept to appearing in print. Planing and mocking up versions during the concepting stage it  can take 6-7 or more dry runs before the construction is perfected. Then after the pop-up is test printed out , constructed again to make sure it fits.

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(above) printed die-cuts for Fairies ready to be cut out and assembled. (image from Teen’s site)

It was a great workshop and visit. Many thanks to Teen for sharing her expertise and time. When you take a look at her site make sure to check out the pop-up done for Shit Disco’s music video among the other cool things .   Thanks Teen!

 

 

Inkstuds: The Radio Show about Comics December 31, 2009

Posted by leskanturek in Art History, Artists, Comics, Graphic Novels, Visual Narrative, Visually Cool & Relevant.
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Despite the porn sounding name if you go to the Inkstuds site you will not find pictures of Jack Kirby giving you the full monty.  What you will find is a radio show out of Vancouver hosted by Robin McConnell thoughtfully discussing the art, creators, the industry, inspiration, history  and influence of comics.

McConnell’s show which has been “on the air” for the past 4 years offers an incredible range of interviewees  including ;  Ralph Steadman, Seth, Tony Millionaire, Joe Sacco,  James Jean, Barron Storey, Rutu Modan, Scott McCloud, Art Spiegleman on Chris Ware, Rick Geary…the list goes on.   I highly recommend  tuning in to the show and hearing the intelligent discussion that takes place.

MTA Arts in Transit Guest Visit April 29, 2009

Posted by leskanturek in Art History, Guest Visits, Public art.
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blog-train1(Above) Barbara Segal’s “Muhheakantuck (The River that Flows Two Ways), Aluminum reliefs on train overpass (2005) on the Hudson Line /Yonkers

On Monday (April 20th), Amy Hausmann (below-left), the Assistant Director of MTA Arts for Transit, paid a visit to our class to speak aboamy-stillut her department’s mission and role in commissioning artists for site specific, public artwork in the New York transit system.

Statistics on the amount of people using the transit system is staggering, approx. 8 million commuters on a given weekday. That’s per day. Asking for a show of hands of how many students (our class was joined by Wendy Popp’s concepts class.) view art work in the subway during their daily commute, it was an overwhelming majority. This was not always the case. My memory of subway stations while growing up in the 60’s and 70’s is one of decaying, vandalized public spaces. The way we presently experience the subway (and the LIRR and Metro-North) is a testament to the work MTA Arts for transit has done over the last 25 years to change the way we look at the shared public space of the transit system.

Amy started her powerpoint presentation pointing out that from the subway’s inception a mandate was built into it’s mission statement to create and design a visually beautiful public space, “…and enhance the experience of travel.” As Amy stressed , very forward thinking for 1904. MTA Arts for Transit’s budget for projects is derived from a portion of the renovation budget of the station/space to be refurbished. So art works are installed or planned only for a station that is being rehabilitated or improved.

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(Above) Art en Route, A pocket guide to art in the MTA Network that was passed out during the visit. You can e-mail a request for a copy at the MTA Art for Transit site.

Amy brought with her pocket guides to some of the art in the MTA system. it’s organized by subway line with called out images of art installations. There is also a book, “Along the Way” by Sandra Bloodworth , Director of MTA Arts for Transit, and William Ayres, curator at the Long Island Museum in Stony Brook. Looking through the guide and book gives you a sense of the varied range of art in the transit system, both in concept and in materials. Donald Lipski’s inverted olive tree

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with crystals at Grand Central Terminal, Walter Martin’s and Paloma Munoz’s Canal Street station filled with 174 grackles and blackbirds…the subway is one big art museum.

A number of illustrators have created art for the transit system; Raul Colon, Owen Smith, Milton Glaser, Dave Calver, George Bates (Parsons Illustration Dept. instructor), Peter Sis, Jose Ortega, Edward Del Rosario (Parsons Illustration Dept. instructor) to name a few. In that spirit, finishes for the class assignment of creating proposals for site specific art in individual subway stations were also up on the wall during Amy’s visit. she graciously agreed to critique them and offer her professional opinion .

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You can view the entire assignment sheet I handed out in a previous post. In a nut shell, each student created artwork for a subway station of their choice. In the course of creating a proposal students researched the history of the area/station and took into account the amy-critblogmake up of the community it serves. Each student attempted to integrate their art with the architecture of the station in some way.

Below are some of the assignments.

P(Left) Amy Hausmann criting a student’s proposal

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Paula Searing: Wall Street

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Rather than work with Bulls and Bears , I was struck with horses because they can be both graceful and rampant like Wall street’s sides of prosperity and cut throat behavior. The original art is done in acrylic paint, sprayed over stencils.

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Mark Lev: 50th Street

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50th Street station ( the 1, 2, 3 line). My subway installation is interactive (a musical component) as well as aesthetic. It consists of several Hang drums (developed in 2000 in Berne Switzerland) of various sizes and tunings, installed into the subway wall. In the above mural they are the blue spheres with darker blue round indentations. The drums can be played without any special tools and create resonant, ghostly tones similar to a steel drum. The effect of several people playing them would be a mass of tones echoing throughout the station creating an eerie but sonorous atmosphere. Colorful, circular tile patterns around each drum seem to ripple across the wall, evoking ideas of sound waves, water droplets, and mimicking the sound qualities of the drums.

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Here is a link to a video of the Hang drum being played http://www.youtube.com/watch?v=WEJc2wKkwjM&feature=PlayList&p=D12F8B5F76C1C4E8&index=32 it’s a very distinctive sound .

William Crosby: Smith-9th Street Subway Station Gowanus

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The Smith/9th Street Station · Opened in 1933. The station has the distinction of being the highest elevated station in the system. The station was originally built elevated 91 feet to accommodate tall-mast shipping in the Gowanus Creek under the station.

Evan Turk: Greenpoint Ave. Station Brooklyn

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Evan’s mural is a narrative based on the Lenape Indian legend of Rainbow Crow. The Rainbow Crow brings fire from the Great Spirit in the sky to the earth. But due to the smoke he no longer is rainbow-colored , but a black crow. This myth was chosen to reference the Lenape Indians indigenous to the Greenpoint area.

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Julian Uribe: ” Cultural Intertwine” Jackson Heights (7, E, F, G, R, V)

Jackson Heights is one of the most culturally diverse neighborhoods and the first garden city in the five boroughs of New York City. I realized in every culture found in Jackson Heights the frog is a common symbol of nature, peace, and power. Ethnic patterns unite with the frog symbol in my design for the station, all of which I hope allow the neighborhood to be more in touch with their diverse ethnic community .

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Julie Pinzur: The Bleecker Farm” Bleecker Street (the 6 train)

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Ceramic mosaic on walls near the subway exit. Anthony Bleecker, who the street was named after, along with his family owned the land where the station now stands. The scene shows farmland, which is representative of  this area  in the 1800s. Anthony Bleecker was also one of the founders of the New York Historical Society, and was a trustee of the New York Society Library.

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Naomi Koffman: Ghost” 72nd Street/Central Park West

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Jenel Lawson: Lexington Ave.  63rd St. Station

JenelALL3Near this station four embassys are located;  France, Italy, Pakastan and India. Different color strands of thread  represent each  country and stich part of the globe.



Manny Vega/Un Artista Con Alma January 13, 2009

Posted by leskanturek in Artists, Guest Visits, Public art.
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As you step off the train at 110th Street and Lexington in the NYC subway, you find yourself face to face with the art of Manny Vega. four panels, each approximately four feet high depicting scenes of life in the barrio lovingly, painstakingly crafted in mosaics. Un Sabado en la Ciento Diez (A Saturday on 110th Street). Manny took some time out to stop by class this last spring semester to talk about his work, and the process of creating art for the subway and the public. Manny is a self taught craftsman but also an obvious sponge for any knowledge of his craft. In terms of the 110th st. commission I was struck by the relatively short time frame it took him to accomplish such a laborious process. Months versus what I assumed would be a minimum 2 year process with execution and installation.

img_24(Above) 110th street station (6 train) 2 of 4 mosaics , Un Sabado en la Ciento Diez (A Saturday on 110th Street)

A characteristic of Manny that comes out when he speaks and that is also evident in all his meticulously crafted work is Corazón, passion, and a commitment to truly public art. Manny spoke about, what he felt was was his responsibility to represent the community that his work was appearing in. Manny spoke about working on the Portrait of Julia de Burgos mosaic in a storefront and having people in the community stop in and take part in placing tiles. The mural was completed in Oct. 2006

juliadeburgos_01(Above) Portrait of Julia de Burgos. East 106 Street between Lexington and Third Ave. Julia de Burgos was a Puerto Rican poet and civil rights activist who died at 39 in 1953.

(left) Mosaic El Rey Del Pollo at El Malecon Restaurant

Photos by Librado Romero of Manny and his work and audio of Manny speaking about his mosaics and philosophy.

(please note. this is an older post spring 2008 which was reposted – thanks Les)